In Monologue, we try to combine dance, animation, Chinese music and the device of interactivity. The strokes of Nu Shu is transformed into 3D animation. Dancers try to respond to the images, and thus build up the idea of oppress and release. In the end of the piece, the dancer holds a device to erase the Nu Shu characters on the screen, implying the final release and escape.
2009年6月5日星期五
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