Unlimited 無盡

<無盡．Unlimited>
3”26’ 2007
Chen, Yun-Ju 陳韻如(Sherry)／Huang, Hsin-I 黃忻怡

selected by "3C Season" Huashan Artist Festival/ 2007, Taipei, Taiwan
2007入圍"3Cの祭"華山藝術家博覽會

創作理念：
這是一部實驗性的作品，結合影像和聲音組成一連串實驗性質的影音創作，聲音和影像讓我想到數學裡「∞」此符號，因此我抽取一些平常生活中所拍攝的影片及照片，在利用剪輯和聲音製作軟體合成為如夢境般無止盡循環的影像。

The daily life images are videotaped and abstracted. Unlimited, combining video, sound and dance, is the interpretation of ∞ telling that life keeps going on and on.

從科技藝術探討當代跨領域創作之發展

從科技藝術探討當代跨領域創作之發展
SIGGRAPH Taipei 2008 論文發表

兒戲 play

兒戲 play
Video 1”30’
2007

Invited to show in "Interdisciplinary Horizon" Providence University/ 2009, Taichung, Taiwan
2009獲邀"跨界視域"靜宜大學

selected by "Taoyuan Artistic Creation Awards" / 2007, Taoyuan, Taiwan
2007入圍桃園第5屆桃源創作獎

selected by "Digital Infinity" New Media Art Exhibition, BanCiao 435 Arts Zone / 2007, Taipei, Taiwan
2007入圍"數位無止境"板橋435藝文特區新媒體藝術展

Invited to show in " Department and Graduate School of Multimedia and Animation Arts, National Taiwan University of Arts" / 2007, Taipei, Taiwan
2007獲邀"他者之他"國立台灣藝術大學多媒體動畫藝術學系(所)校內展

創作理念：
記憶以「倒轉」的方式進行，不斷將以前痛苦的回憶倒轉及重播在我心裡。

兒戲是〈我很好系列〉系列1作品，以較反諷、嘲弄及阿Q精神的手法來調侃自身的感受，在面對「自我」這個對象的過程中，處理「自我」的感受及如何表達，這白色的場域裡我與空間在玩耍，不停地玩弄、揮舞著用來療傷及擦拭傷口的衛生紙，重新思考回憶與我的關係，如果說「黑盒子」是「飛航記錄器」，它能夠記錄意外發生前一段時間，駕駛艙與塔台的通話記錄以及飛機的航行資料，那「白色場域」是「記憶儲存間」，以同一種角度、同一種模式喚起曾經流逝不美好的童年回憶，一切的回憶在這白色場域中不停來回、跳躍、舞動及遊走在現實和想像空間裡，似乎也找到屬於自我回憶及療傷的方式，來面對這揮之不去的童年記憶。

The memories replay. The camera records the designer playing the white toilet paper in the white space. Seeing and dealing the self in the video, the designer recalls the plying in childhood.

非墨之舞簡報 Monolouge presentation

非墨之舞Monologue

非墨之舞Monologue
Chen, Yun-Ju 陳韻如／Huang, Hsin-I 黃忻怡／Hsieh, Yu-Jung 謝雨蓉

selected by the "Bains numériques#4" / 2009, France
2009入圍法國巴黎安亙湖國際數位藝術節

selected by the SEASON VI 404 FESTIVAL / 2009, Argentina
2009入圍404國際電子藝術節

Invited to performance in "Interdisciplinary Horizon" Providence University/ 2009, Taichung, Taiwan
2009獲邀開幕表演於"跨界視域"靜宜大學

創作理念：
本作品以「女書」的概念，書寫著東方女性心理的經驗；以「肢體」的詮釋，書寫著傳統社會與文化的烙印，並透過舞者肢體用互動機制來去除及擦掉過去既有的傳統束縛，藉由肢體表現出甩開、打擊、反抗及逃避的動作，來抵抗內在情緒與外在規訓的雙重矛盾心態，也意味著對傳統文化的反思及企圖去除偉大的美學觀念，打擊及反抗男權導向社會即有的框架。

〈非墨之舞〉結合舞蹈、表演、多媒體影像、中國音樂、互動裝置的跨領域創作，透過舞者肢體律動與互動裝置結合，舞者可藉由肢體即時畫出筆觸及線條，希望透過中國文化、舞蹈與科技的結合，再現中國傳統文化之美。

Monologue is about psychological and physical experience of women. Inspired by womens diaries and Nu Shu which is an old writing system in China used only among women, Monologue tries to convey womens internal and external contradictories which comes from the conflicts between the personal emotion and external constraints. Besides, Monologue is also reflection on traditional culture, aesthetics and patriarchy society. Therefore, dance, Chinese music, multimedia animation and interactive installation are combined and employed. The images of animation present the style of Chinese calligraphy. Dancers movements respond to the soft but intense characteristics of Chinese calligraphy. However, the interaction between dancers and that between dance and animation are sometimes violent. The contrasts symbolize the constraints on and the conflicts of women.

創作團隊：
Creator: Chen, Yun-Ju 陳韻如
Choreography: Huang, Hsin-I 黃忻怡 and Hsieh, Yu-Jung 謝雨蓉
Programming Design: Chien, Chun-Te 簡俊德
Infrared Sensor Design: Chen, Chi-Jen 陳祈任
3D Animation: You, Teng-Chih 游騰智
Photograph: Chen, Hsing-I 陳興宜
Music: Man-Yen 蔓延
Composer: Chen, Cheng-Wen 陳政文
Conductor: Chen, Cheng-Wen 陳政文
Quartet: Di-Xiao: Liu, Ying-Jung 劉穎蓉
Pipa: Huang, Wei-Mao 黃暐貿
zheng: Lai, I-Chieh 賴宜絜
Huqin: Cheng, Kuang-Chih 鄭光智

Yin 湮
Composer: Chen, Cheng-Wen 陳政文
Quartet: zheng: Lin, Ya-Hsiu 林雅琇

Under the pine 松下
Composer: Jen, Chen-Hui 任真慧
Conductor: Chen, Chih-Sheng 陳志昇
Quartet: Little Giant Chinese Chamber Orchestra
小巨人絲竹樂團

遇見台灣詩人100 開幕表演

歡迎大家來看表演
遇見台灣詩人100 開幕表演 絕對精彩

一場結合影像、國樂演奏、舞蹈表演、互動程式共同跨界媒合的跨領域創作作品

時間：2009/05/09 (六) 下午2:00開幕
表演地點：台北捷運中山地下書街B34廣場（地下實驗創意秀場）

創作理念：
「遇見台灣詩人一百」開幕表演，分成『詩』、『藝』、『聲』、『動』四大主軸展現，『詩』以動畫墨線延伸、串聯台灣百大詩人姓名及詩名，呈現百首詩的意境之美；『藝』以舞台設計的概念溶合展覽空間，詮釋出詩意空間的氛圍；『聲』更大膽地嚐試透過傳統國樂現場演奏結合現代科技聲響，撞擊出「東方」與「西方」文化跨域之流動聲響；『動』透過「科技互動」結合舞者「肢體律動」，藉由即時感應裝置，立即偵測舞者移動的身影，隨即飄流出流動的詩人姓名，將詩的內涵、科技藝術、舞蹈肢體、國樂演奏與空間作跨領域緊密的結合，完成了一件「詩藝。聲動」互動裝置與舞蹈表演的跨領域創作。

Opening performance “Poem 100”, divided into four parts “Poetry”, “Art”, “Sound”, and ”Move” to display. “Poetry” extended with animation of ink line connects hundreds of Taiwan poets’ names and titles to display the beauty of artistic conception; “Art” based on the idea of stage design mixed with exhibition space interpret the atmosphere in poetry; “Sound” aggressively tries to combine contemporary tech-sound art with traditional Chinese music live show to produce music from “Eastern” and “Western”; “Move” integrating body movement with technology interaction, detects the dancer’s move by real-time sensor installation. With poets’ names flowed, content of poetry, technology art, dance, traditional Chinese music, and space to finish are all integrated together to finish this interdisciplinary art “Poetry．Sound Art” combined with interactive installation, dance, and performance.

演出時間：15分鐘
創作團隊：
影像創作：陳韻如 Chen, Yun-Ju、游騰智You, Teng-Chih
編舞者暨舞者：謝雨蓉Hsieh Yu-Jung、黃子芸Huang Tzu-Yun
程式設計：胡縉祥 Hu, Ching-Hsaing
聲音設計：李佩玲Lee, Pei-Ling
演奏者：蘇筠涵Su, Yun-Han、張君豪Chang, Chun-Hao、王瑋琳Wang Wei-Lin、徐 寧Hsu, Ning、林雅琇Lin, Ya-Hsiu、劉思捷Liu, Ssu-Chieh